Communication Designer
Currently @Landor
01.   Colgate-Palmolive Office Revamp

Project Brief.
Revitalizing Spaces: 2D Graphic Solutions for Office Transformation

A Corporate Workplace Design Project for multinational consumer products company - Colgate-Palmolive. 

The project aimed to transform the corporate workplace design and construction to meet the evolving needs of Colgate Palmolive. 
In early 2024 the project was successfuly launched - successfully completed a remarkable 26,000 sqft renovation project for Colgate Palmolive's Asia Headquarters in Hong Kong.
2023 Space Design (2D Support)

Design Process.
As the sole provider of 2D graphic support, I developed iconography for the office space and designed a customizable wall system, complete with wall graphics tailored for the team. During the pitch, I adeptly made rapid adjustments to the graphics based on evolving design directions, effectively visualizing the needs and ideas of the 3D team. This collaborative effort required strong communication and support, drawing on expertise from various teams to ensure a cohesive design vision.



02.    Crew Players Sumer Showcase

Project Brief. 
Crew Players Dance Complex Ltd, a leading Hong Kong dance studio, held its 9th annual summer showcase. As the designer and visual director, I provided creative guidance for the event. Our theme, "music never dies," led to a visually captivating key visual that reimagined LPs in a modern street dance setting. The vibrant orange-red colors against a black backdrop created a visually striking experience for our audience of over 300 dancers.
2023 Brand Identity 

Design Process. 
We started by collaborating with the client to understand their requirements for the annual live event. Through an extensive brainstorming process, we refined the visual identity based on feedback and made revisions. Then, we printed and mass-produced the materials for promotion and sales.



03.    Chow Tai Fook Value Posters

Project Brief.
Chow Tai Fook is a renowned jewellery and gold retailer founded in 1929. With a rich history and significant recognition, it stands as one of the most established jewellery brands in the Asian market.

In response to an outdated work culture and a perceived rigid structure, Chow Tai Fook is not only undergoing a rebranding initiative but also injecting fresh perspectives into its workplace environment.

To reflect the revitalized brand image and capture the new values and competencies of Chow Tai Fook employees, the project brief involves selecting, editing, and creatively utilizing imagery that aligns with the brand’s new vision. Each visual element should clearly convey the core values to inspire and motivate employees.
Design Research, Editorial  

Design Process.
As the sole designer for this project, I gathered feedback from clients, the client service team, and the creative director. I provided the requested files in both editable and printable formats. The project required expertise in layout design and Photoshop, as well as proficiency in Chinese to accurately interpret the competencies and values expressed in 4 Chinese Idioms.



04.    ATMO, Skincare for All

Project Brief. 
ATMO, a skincare brand, strives to develop accessible products for all. The serum line offers an intuitive tactile experience, enabling users to easily identify each product's function. The efficacy of serum is conveyed through visual patterns and colors based on the user perception tests. Embossed graphics are printed on packaging to indicate the function, orientation and usage instructions. By employing vibrant colors, ATMO welcomes everyone, including the visually impaired, to indulge in the complete experience, from purchase to application.


2023 MUSE CREATIVE GOLD AWARD
Packaging Design  

Design Process. 
The motivation for this project was rooted in extensive research on the current state of the cosmetic industry, as well as a focus on inclusive design principles. Given that many cosmetic products share similar packaging shapes, particularly in the case of serums, there is a need to create designs that are both efficient and profitable. To achieve this goal, the design process involved several stages of testing, including interviews with visually impaired Youtuber Ooyung and three rounds of user perception tests focused on patterns, colors, and packaging. The aim was to ensure that the design reflected the generic perceptions of the target users and created an inclusive design that meets the needs of a wide range of users.



05.    Beentage

Project Brief.
The unique experience of sharing different stories by sharing clothes. Through archiving individual histories of garments on user platform, Beentage encourage sustainable fashion; by growing a new, reframed quality standard of garments: value added second hand clothes.
UI/UX 

Design Process. 
The project was entirely self-driven, with a focus on first-hand research, user-testing, branding, and system design. I have conducted extensive research to gain insight into the core of fast fashion and to identify new, sustainable, and innovative ways to consume fashion. My goal was to create a project that would make a positive impact on the fashion industry and the environment.



06.    Chines University Art Museum Way Finding

Project Brief.
Our project focuses on rebranding the Chinese University of Hong Kong Art Museum and revitalizing its wayfinding system. The challenges we face include the museum's distinct architectural and visual elements resulting from its expansion, as well as the versatile use of the galleries and space. Our design solutions include creating a visual identity with a grid system and patterns that unify the museum, and developing a wayfinding tool kit for staff members to fully utilize the museum's versatility. Our goal is to create a more cohesive and user-friendly experience for museum visitors
Wayfinding, User Experience

Design Process. 
Through close collaboration with museum staff, including interviews, on-site observation, and user testing, we were able to test different components of the wayfinding system. As the group leader, my responsibilities included not only creating maps, signage, and graphics, but also project management, delegating tasks, and communicating with stakeholders.

Designer’s Experience
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I'm like heat, a form of energy that transfers due to temperature differences. 

I hold juxtaposing attributes that keep me dynamic and adaptive, making me a great communicator and thinker. 

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I believe in "diffusing heat"—guiding a flow of positive inspiration from its source to every corner of our world.

I specialise in branding, UI/UX. Previously worked with  
P&G, Colgate, WWF etc.

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Jina Ham

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zhen.wo.jina0422@gmail.com